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What is the difference between unbalanced and balanced? And how to choose them?

08 July, 2025

When building a sound system or a studio sound system, you may come across different types of audio cables for your equipment, such as XLR, RCA cable. They can be divided into the categories of "balanced" and "unbalanced" cables. What do these two terms mean? And what are the differences between them? By the end of this article, you will have a better understanding of these two types of cables and how to choose between them.


What is an unbalanced cable?

Unbalanced cables are cables that are commonly used to connect audio devices such as headphones and musical instruments such as guitars or bass guitars. Cables that have only one contact point for the shield and one signal are unbalanced. They consist of two conductors: a signal wire (the "Hot" wire) and a ground wire.

The signal wire carries the audio signal from the audio devices, and the ground wire serves as a reference point for the audio signal and also shields the signal from interference. However, they are more susceptible to noise and interference over long cable runs, which can result in an audible hum or buzz in your audio.




What is a balanced cable?

Balanced cables, on the other hand, have three conductors: two signal wires - "Hot" (positive) and "Cold" (negative), and a ground wire. The two signal wires carry the audio signal with opposite polarity, which helps cancel out any interference picked up along the way.

They are designed to minimize interference and provide the best sound quality over long distances, making them the preferred choice for professional audio applications.




How does balanced audio work?

So now we know that balanced cables use two signal wires (Hot and Cold), but how does that extra wire make the cable's length and noise rejection ability so much better than an unbalanced cable?

When a balanced cable receives a signal, both signal wires carry a copy of the signal, but the trick is that the two signals are sent with the polarity reversed. If you're new to audio, here's a new concept: if you combine two identical signals with the polarity reversed, the signals will be in "phase opposition" and the signal will cancel out, leaving you with complete silence - this is called "out of phase". (Think of positive and negative numbers added together: +10 plus -10 equals 0.)

So why would you want audio equipment that reverses the polarity of your signal? In this case, because the receiving equipment will flip the inverted signal back to its original orientation. But since both copies of the signal picked up the same noise during transmission down the cable — and that noise is identical on the two wires in the cable — reversing the polarity of what arrives at the receiving equipment will yield the original signal intact and the noise that is now in reverse polarity.

The summation produces the desired result: preserved signal and suppressed noise. Because of this, balanced cables can support much longer cable runs than unbalanced cables — about 300 feet (90-100 meters) at most.

Microphone wiring and interconnect cables between consoles, signal processors, and amplifiers in a professional sound system or studio recording environment are usually of the balanced type.


Types of Unbalanced Cables

RCA Cables

RCA cables are widely used for unbalanced analog audio connections. They typically consist of a red tip (right channel) and a white or black tip (left channel). Unbalanced RCA signals are best suited for short distances, typically less than 25 feet.




Quarter-inch TS Cables

Quarter-inch TS (tip, sleeve) cables are typically used for unbalanced signals, especially with musical instruments such as electric guitars or bass guitars connected to amplifiers. These cables provide a simple connection and are ideal for short-distance applications.





Types of Balanced Cables
XLR Cables
XLR cables are commonly used for balanced audio signals, especially in professional audio systems. These cables have three contacts inside the connector: the ground wire, the hot signal, and the cold signal, which we have already discussed. XLR cables can carry balanced audio signals up to 300 feet without the risk of losing sound quality.




Quarter-inch TRS cables
Quarter-inch TRS or 6.35 mm TRS cables are another type of balanced cable in professional audio. They can carry either mono (balanced) or stereo (unbalanced) signals.
The structure of a quarter-inch TRS cable is quite similar to an XLR - two signals (tip, ring) and 1 ground (sleeve), which allows for balanced transmission of audio. Such cables are often used in various audio applications such as conference rooms and auditoriums.





Key Differences Between Unbalanced and Balanced Audio
Unbalanced and balanced audio cables differ significantly in sound quality and noise resistance. Here’s a breakdown of their key differences:
1. Noise Resistance: Balanced audio cables are designed to reduce the risk of picking up unwanted noise, making them great for maintaining clear audio. On the other hand, unbalanced cables can sometimes pick up an annoying hum or buzz, especially when used in certain locations or situations.
2. Signal Strength: Balanced audio is the right choice if you want a strong, clean audio signal without unnecessary noise. It ensures that the sound remains crisp and clear.
3. Transmission Distance: When it comes to cable length, you can clearly see that unbalanced audio cables are more prone to noise and interference the further they are stretched.
4. Cable Construction: The way unbalanced audio cables are made, especially the inclusion of a ground wire, can be a source of additional noise. This design makes them prone to picking up interference.
In conclusion, if you want cleaner, more stable audio, especially over longer distances, a balanced cable is your best choice. Unbalanced audio cables can also be a good choice in shorter, less demanding installations, but with a higher risk of noise.

TypesMax. Transmission DistanceNoise ImmunityCostConductorsSupport Balanced and Unbalanced
BalancedAbout 300 feetHighLow3Yes
UnbalancedLess than 20 - 25 feetLowHigh2No
Choosing Between Balanced and Unbalanced Cables
When choosing between balanced and unbalanced cables, it’s important to consider the specific requirements of your audio system. Unbalanced cables are suitable for short runs and budget-conscious installations where the risk of distortion is minimal. Balanced cables are ideal for longer runs, professional audio applications, and environments that are more susceptible to noise.

Should you replace all your unbalanced cables with balanced ones?
Not really. Remember that the best choice depends on your specific needs. Unbalanced audio can still be a good choice for shorter cable runs and less crowded electronic environments, as well as scenarios that don’t require long distance transmission and high audio quality requirements.
You also need to pay attention to the interfaces on devices like your mixer, digital audio processor, or amplifier — some may only support an unbalanced signal. So even if you use a balanced cable, the signal will still be transmitted as unbalanced, which will lead to unnecessary expense.

Conclusion
In a sound system or studio recording system, choosing between balanced and unbalanced audio cables is critical to achieving high-quality, noise-free audio in your audio production.
Unbalanced cables are suitable for short distances and certain budget installations, or when the audio equipment does not support a balanced signal. Balanced cables offer better noise reduction, sound quality, and transmission distance.
Understanding the differences between these two types of cables will help you make informed decisions that will improve your audio quality and meet your specific needs.

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